It may be a surprise to some to see Bristolian Matt Elliott operating under his Third Eye Foundation moniker once again. It has, after all, been ten long years since he last threw on this guise. That’s ten years in which his former label Domino has transformed from a licensee of abrasive American indie-rock into a chart bothering mega-stable of talent; ten years in which Elliott has ducked away from the pulverizing drill'n'bass exhortations of yore and instead poured all the light in his music into his folksy singer-songwriter material; and ten years in which his unnerving ability to match spleen and sorrow and turn it into a palatable (and disjointedly danceable) whole have been subtly exhumed and worked into genres such as dubstep and the spurious witch house movement.Read full article here.
