Supreme Clientele was all about bucking trends. It came hot on the heels of some distinctly limp wristed Wu-Tang solo efforts, as anyone who can remember Method Man’s
Tical 2000: Judgment Day, GZA’s
Beneath the Surface, Raekwon’s
Immobilarity, or U God’s
Golden Arms Redemption will recall. But while the RZA’s alchemical input on those releases was minimal, perhaps offering a reason for his most famous charges seeming out of sorts, he also only surfaced sporadically on this second sole effort from Dennis Coles (aka Ghostface Killah, aka Tony Starks, aka Iron Man). On paper, the recruitment of Juju from the Beatnuts, former Tupac acolyte Choo the Specializt, and Wu-Tang backroom engineer Carlos Bess (among others) in the production chair(s) didn’t exactly bode well in light of the RZA-shy solo Wu efforts that had come before.
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