
In the hands of Queens native Rob Swift, the master turntablist who has collaborated with everyone from Blue Man Group to Mike Patton, hip-hop is a pliable tool, a genre to be warped and moulded and parlayed into a musical force shorn of recognisable boundaries. He first tumbled into Patton’s orbit as a member of the X- Ecutioners, who went into battle with the singer on
General Patton vs. The X-Ecutioners in 2005, and has since toured with Peeping Tom.
The Architect firms up that relationship by becoming Swift’s first solo release on Patton’s Ipecac label, which gives him a chance to pull deep from his bottomless pit of beats and move away from his jazz-y roots, instead forcing a symbiotic relationship between the worlds of hip-hop and classical music.
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